kokopelle: (Cat - Noir)
This poem marks day 60 of my 90 days of poetry. It has been an interesting journey. I've learned about myself. My frequent readers have probably learned a thing or two about me also! I've learned by doing, and the learning has progressed me from the macrocosm to the microcosm of poetry. I learn one thing, and then I challenge myself to do it BIGGER and BETTER. The poem “The Master's Ouroboros” is about the progression of individual artistry.

The Master's Ouroboros
Poem for Day 060 – 20141122

They call him Master.
To where does he look?
The big picture perhaps?
The smaller picture?
What does he best understand?
Look to his focus for the matter.

The beginner struggles with the large.
The big picture is their foe.
The understanding of the whole
is their first task at hand.
This to the memory they must this remand.
Only then can they move along.

The apprentice conquers the large, encounters the little.
So many things to consider, like puzzle pieces scattered.
Collect them up, sort them, put them in place.
Each is a domino, aligned to create the fates.
Separate together, important only in combination.
To account for this is the apprentice's vocation.

The Master moves to the smaller,
no hindrance in the little or larger.
The whole is good, how to make it better?
How to separate satisfaction from pleasure?
The Master makes an action so minute,
the world realigns to follow suite.

But wait, what is this? Can it be?
The large is contained in the little.
The struggle is bigger on the inside.
Ouroboros presides in the Master's soul.
The day of reckoning has been attained.
The Master becomes beginner again.

They call him Master.
He has seen it all: small, little, and large.
The only path forward is that not yet taken.
The unseen beckons to art reawakened.
The snake eats its tail, the world renews again.
The Master struggles with the large and all is well.

© 2014. Sean Green. All Rights Reserved.
kokopelle: Sony A77 (a77)
I've recently had two occasions that demonstrated the magic of photography. This both gave me a smile and made me think about the irony of the magical shot. The occasional photographer can get the magical shot, but the ongoing photographer is more likely to do so. Why? Is it talent or equipment or training? These help a lot, but the answer is elsewhere. It is about learning to be in the right place and being there on a repeated basis. I suspect life is life this for lots of pursuits, so this is worth thinking about in connection to anything you may do.

I have two examples. The first is my series of photos the now demolished Bethel A.M.E. church in Laurens SC. I took photos of it back in 2009. This set was one of a dozen and a half "abandoned and historical" locations. The church was demolished in 2011 because of structural reasons. Now my photos are being featured in a historical overview of the location. Why? I love historical and largely forgotten locations and pursue them with my camera. The church has become magical to somebody other than myself and this is delightful. Second example, I have taken literally tens of thousands of contra photos, maybe over one hundred thousand at this point. A dear contradancing friend of mine is now is a special relationship. She recently found a photo of mine that shared one of the first times that she and her guy were together on the dance floor.

What are the lessons here? Perseverance is one. Creating magic is about the frequency of an act, honing the skill and learning the craft. Malcolm Gladwell, the author of Outliers, has the 10,000 theory. He says that one must spend 10,000 hours at something before claiming success in any field. The other lesson is that sharing is a key ingredient to magic. Don't keep your light under a pot. Share your stuff and allow others to find their magic amongst the big pile. We are connected and magic is a community event. Cool stuff!

April 2020

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